Showing posts with label YLI Silk thread. Show all posts
Showing posts with label YLI Silk thread. Show all posts

Friday, April 12, 2013

April Showers bring May Flowers


I'm enjoying the Crazy Quilt Journal Project for 2013.  My blocks are 6.5" x 6.5" most of the time. The embroidery tends to shrink the block a bit but it is big enough for me to explore new stitches and just  small enough that I don't get bogged down.

April Shower bring May flowers...the lady with the parasol is appliqued to the block using silk thread.  I believe in using silk thread for applique. My favorite is YLI Silk #100 fine silk.  The silk sinks into the fabic and disappears, never to be seen again.  My rain drops, Ricky Tims Razzle Dazzle, polyester from Superior Threads, color 251.

My teacher and very dear friend, Glender Irvine of Silver Springs, Florida introduced me to Di van Niekerk's silk embroidery.  I was luck enough to pick up a copy of Di van Niekerk's book Roses in silk and organza ribbon at Jo-Ann's for 50% off the regular price...great deal!  I experimented with the twirled ribbon rose and I'm looking forward to trying the different techiques including the two stumpwork birds presented in the book.

Stay tuned for the flowers of May.

Enjoy!

Monday, July 18, 2011

Stumpwork & Applique

"Stumpwork" is the term used to refer to a particular form of domestic raised embroidery practiced in England between 1650 and 1700.  Jane Nicholas.
"Applique" ornamental needlework in which pieces of fabric are sewn or stuck onto a large piece of fabric to form pictures or patterns.  The Oxford American College Dictionary. This block was designed by Karen Kay Buckley and is called Heard it through the Grapevine.  I used both techniques (Stumpwork and Applique) in this block.
The butterfly's wings were formed by bending 30 gauge wire, the size used in cake decorating, to create its shape. Muslin was then attached to the wire frame with a tight buttonhole stitch.  Once the fabric was secured, I then worked the entire area in long short stitches.  The body of the butterfly is a strip of gray fabric that was gathered up using a running stitch and frayed to within an inch of its life.

The grapevine wreath is appliqued leaves, branches and grapes.  The leaves and the grapes were formed using spray starch and Mylar (heat resistant) plastic.  In this technique, the template is cut from Mylar which is then placed on the back of the fabric and the shape is cut out leaving a scant quarter of an inch seam allowance. The seam allowance is then folded over the edge of the Mylar template, brushed with spray starch and pressed into submission with a hot iron.

I used Ms. Buckley's Perfect Circles Mylar washers for the grapes.  However, the seam allowance was sewn with a running stitch, the thread was pulled to gather the fabric over the washer, brushed with spray starched and pressed.  This method produces crisp, sharp edges.  I used bias bars for the branches.  Beads and stem stitching were used to further embellish the block.  
  
I love using hand dyed fabrics in my work, fussy cutting those areas of wonderful graduations in color that is just perfect for that grape or perhaps that grape leaf.  Of course when all is said and done, that half yard of hand dyed royal purple or spring green fabric looks like Swiss cheese.
My favorite needle for hand applique is Jean S.Lyle, size 10Q and my thread is YLI Silk #100 and Mettler.  I find with silk thread, once it has been conditioned, that my stitches melt into the fabric, never to be seen again, which is exactly was we want.   Enjoy!